VI.1.25 Pompeii. September 2005. Entrance doorway.
VI.1.25 Pompeii. Looking south across the cork model at Naples Museum.
VI.1.25/7 Pompeii. 1875 lithograph titled Casa delle Vestali. Photo courtesy of Rick Bauer.
The lower mosaic is probably from the rear entrance at the House of Salve, part of the House of the Vestals.
The upper mosaic, although the card is entitled “Casa delle Vestali” may have come -
“as from room 3 of VI.17.9/10” (which is on the opposite side of the roadway from VI.1.7.)
See Poirot, P. A., 1826. Carnets de dessins de Pierre-Achille Poirot.
Tome 2 : Pompeia, pl. 73.
See Book on INHA Document
placé sous « Licence Ouverte / Open Licence » Etalab
VI.1.25
Pompeii. The central sketch is a watercolour drawing of a part of a mosaic in
the atrium of the House of Salve.
The
upper sketch appears to be a garland from the Pantheon (VII.9.7) which it said
had a black background.
See Lesueur, Jean-Baptiste Ciceron. Voyage
en Italie de Jean-Baptiste Ciceron Lesueur (1794-1883), pl. 46.
See Book on INHA reference INHA NUM PC 15469 (04) « Licence Ouverte / Open Licence » Etalab
VI.1.7/25, Pompeii. pre-1808. Floor mosaic, numbered 41 in Gli
Ornati.
According to Gli Ornati 1838: –
No.41. Bello era il pavimento
riportato sotto questo numero.
Nel mezzo sembra
espresso un seno di mare con pesci guizzanti e mostri marini, chiuso dalle mura
di una Città turrita ai quattro angoli, e con quattro porte dischiuse in mezzo de'
quattro lati.
Alla parte esterna di
uno di questi leggesi in caratteri cubitali il
cordiale motto SALVE, motto che ha dato nome all’abitazione del Salve tanto
rinomata in Pompei, per essersi in quella il pavimento rinvenuto. Incisione del
Cesarano.
And
in Gli ornati delle pareti ed i pavimenti delle
stanze dell'antica Pompei incisi in rame: pt.2, 1808.
(Translation: “41. The floor, reported under this number, was
beautiful.
A sea scene seemed to be expressed in the middle, with darting fish and sea
monsters, closed by the walls of a turreted city at the four corners, and with
four doors opening in the middle of the four sides.
On the outside of one of these, the cordial motto SALVE could be read in
capital letters, the motto that gave its name to the House of Salve, so
renowned in Pompeii, in which the floor was found. Engraving by Cesarano.”)
VI.1.25
Pompeii. Between 1819 and 1832 sketch by Gell.
The
lower sketch would appear to show a floor in the House of Salve, or with Salve
on the floor.
The
upper sketch is from VIII.3.8, the floor mosaic in the atrium.
See Gell, W. Pompeii unpublished [Dessins de
l'édition de 1832 donnant le résultat des fouilles post 1819 (?)] vol II, pl.
43.
Bibliothèque de l'Institut National d'Histoire de
l'Art, collections Jacques Doucet, Identifiant numérique Num
MS180 (2).
See book in INHA Use Etalab Licence Ouverte
VI.1.25/7
Pompeii. Sketch of mosaic floor
decoration. A mosaic showing a dolphin was also seen in the threshold of room
10.
See Debret F. (1777-1850), Piranesi F. (1758-1810), LaBrouste H.
(1801-1875). Voyage en Italie-De Naples à Paestum, pl.
111.
INHA Identifiant numérique : NUM PC 77832 (07). See
book on INHA Les documents sont placés sous « Licence Ouverte
/ Open Licence »
Etalab
Outside wall between VI.1.25 and VI.1.26 in Vicolo di Narciso, Pompeii. September 2005.