PompeiiinPictures

V.1.26 Pompeii. Casa di L. Cecilio Giocondo or House of Lucius Caecilius Jucundus.

Domus L. Caecili Iucundi. Excavated 1844 and 1875.

 

Part   1        2        3        4        5       6       7        8        9       Plan

 

V.1.26  Pompeii.  March 2009.  Room 10.  Looking south across west Portico, at rear of Tablinum.

V.1.26 Pompeii. March 2009. Room 10, looking south across west portico, at rear of tablinum.

 

V.1.26  Pompeii.  March 2009.  Room 11.  Looking south east across Peristyle garden, from North Portico.

V.1.26 Pompeii. March 2009. Room 11, looking south-east across peristyle garden, from north portico.

 

V.1.26  Pompeii.  March 2009.  Room 11.  Portico on west and north side of peristyle garden, looking south east.

V.1.26 Pompeii. March 2009. Room 11, portico on north and west side of peristyle garden, looking south-east.

 

V.1.26 Pompeii. Pre-1943. 
Room 11, looking north-west towards marble basin on west portico of peristyle.
See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXXII. Vol.4. Rome, Swedish Institute, p.67, no.14.

V.1.26 Pompeii. Pre-1943.

Room 11, looking north-west towards marble basin on west portico of peristyle.

See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXXII. Vol.4. Rome, Swedish Institute, p.67, no.14.

 

V.1.26 Pompeii. March 2009.  Room 15, looking east along north portico, with large entrance to triclinium.  The following inscription was read scratched on the wall to the right of the large room near the peristyle:
Quis amat valeat.  Pereat qui nescit amare bis tanto pereat, quisquis amare vetat.  [CIL IV 4091]
According to Cooley, this means:
Whoever loves, let him flourish. Let him perish who knows not love.
Let him perish twice over whoever forbids love.
See Cooley, A. and M.G.L., 2004. Pompeii : A Sourcebook. London : Routledge. (p.73)

V.1.26 Pompeii. March 2009. Room 15, looking east along north portico, with large entrance to triclinium.

The following inscription was read scratched on the wall to the right of the large room near the peristyle:

Quis amat valeat. Pereat qui nescit amare bis tanto pereat, quisquis amare vetat. [CIL IV 4091]

According to Cooley, this means:

Whoever loves, let him flourish.

Let him perish who knows not love.

Let him perish twice over whoever forbids love.

See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge. (p.73)

 

V.1.26 Pompeii.  Found in peristyle.  Love scene with figure in background.  Now in Naples Archaeological Museum.  Inventory number 110569.

V.1.26 Pompeii. Found in peristyle. Love scene with figure in background.

Now in Naples Archaeological Museum. Inventory number 110569.

 

V.1.26  Pompeii.  March 2009.  Room 11.  Looking east across peristyle garden.

V.1.26 Pompeii. March 2009. Room 15, looking east across peristyle garden.

 

V.1.26  Pompeii.  March 2009.  White marble basin on pedestal in middle of north wall of peristyle.

V.1.26 Pompeii. March 2009. White marble basin on pedestal in middle of north wall of peristyle.

 

V.1.26  Pompeii.  March 2009.  Room 16.  Triclinium on north side of peristyle garden.

V.1.26 Pompeii. March 2009. Room 16, triclinium on north side of peristyle garden.

 

V.1.26 Pompeii. March 2009. Room 16, looking north from peristyle.

V.1.26 Pompeii. March 2009. Room 16, looking north from peristyle.

 

V.1.26 Pompeii. March 2009. Room 16, south- east corner of triclinium.

V.1.26 Pompeii. March 2009. Room 16, south- east corner of triclinium.

 

V.1.26 Pompeii. March 2009. Room 16, triclinium. Painted portrait medallion with face, in south-east corner. See Schefold, K., 1962. Vergessenes Pompeji. Bern: Francke. (p.212, fig 180,3)

V.1.26 Pompeii. March 2009. Room 16, triclinium. Painted portrait medallion with feminine face, in south-east corner.

See Schefold, K., 1962. Vergessenes Pompeji. Bern: Francke. (p.212, fig 180,3)

 

231827 Bestand-D-DAI-ROM-W.0321.jpg
V.1.26 Pompeii. W.321. Drawing of medallion, from east end of south wall of triclinium.
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.140, no.677)
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231827

V.1.26 Pompeii. W.321. Room 16, drawing of medallion, from east end of south wall of triclinium.

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.140, no.677)

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

V.1.26 Pompeii. Room 16, drawing of portrait medallion of a female holding a two handled cup, from east end of south wall of triclinium.
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.140, no.677)
DAIR 83.19. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

V.1.26 Pompeii. Room 16, drawing of portrait medallion of a female holding a two handled cup, from east end of south wall of triclinium.

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.140, no.677)

DAIR 83.19. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

V.1.26  Pompeii.  March 2009.  Room 16.  Triclinium.  East wall.

V.1.26 Pompeii. March 2009. Room 16, east wall of triclinium.

 

V.1.26 Pompeii. March 2009. Room 16, east wall of triclinium.

V.1.26 Pompeii. March 2009. Room 16, east wall of triclinium.

 

V.1.26 Pompeii. Pre-1943. 
Looking towards east wall and recess remaining after the painting of Theseus abandoning Ariadne was removed and transferred to the museum. 
On either side of the recess, traces of architectural motifs can be seen.
See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXXII. Vol.4. Rome, Swedish Institute

V.1.26 Pompeii. Pre-1943.

Looking towards east wall and recess remaining after the painting of Theseus abandoning Ariadne was removed and transferred to the museum.

On either side of the recess, traces of architectural motifs can be seen.

See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXXII. Vol.4. Rome, Swedish Institute

 

V.1.26 Pompeii. May 2010. Room 16, wall painting of Theseus abandoning Ariadne. This would have been in the central panel of the east wall. Now in Naples Archaeological Museum. Inventory number 115396.

V.1.26 Pompeii. May 2010. Room 16, wall painting of Theseus abandoning Ariadne.

This would have been in the central panel of the east wall.

Now in Naples Archaeological Museum. Inventory number 115396.

 

231682 Bestand-D-DAI-ROM-W.386.jpg
V.1.26 Pompeii. W.386. Drawing of wall painting of Theseus abandoning Ariadne.
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231682

V.1.26 Pompeii. W.386. Drawing of wall painting of Theseus abandoning Ariadne.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

V.1.26 Pompeii. 1876. Room 16, central panel of the east wall.
Drawing by G. Discanno of wall painting of Theseus abandoning Ariadne.
DAIR 83.20. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

V.1.26 Pompeii. 1876. Room 16, central panel of the east wall.

Drawing by G. Discanno of wall painting of Theseus abandoning Ariadne.

DAIR 83.20. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

 

Part   1        2        3        4        5       6       7        8        9       Plan

 

 

 

 

The low resolution pictures on this site are copyright © of Jackie and Bob Dunn and MAY NOT IN ANY CIRCUMSTANCES BE USED FOR GAIN OR REWARD COMMERCIALLY. On concession of the Ministero della Cultura - Parco Archeologico di Pompei. It is declared that no reproduction or duplication can be considered legitimate without the written authorization of the Parco Archeologico di Pompei.

Le immagini fotografiche a bassa risoluzione pubblicate su questo web site sono copyright © di Jackie e Bob Dunn E NON POSSONO ESSERE UTILIZZATE, IN ALCUNA CIRCOSTANZA, PER GUADAGNO O RICOMPENSA COMMERCIALMENTE. Su concessione del Ministero della Cultura - Parco Archeologico di Pompei. Si comunica che nessun riproduzione o duplicazione può considerarsi legittimo senza l'autorizzazione scritta del Parco Archeologico di Pompei.

Ultimo aggiornamento - Last updated: 29-Aug-2021 15:15