PompeiiinPictures

III.4.3 Pompeii. Casa del Moralista or House of the Moralist

or Domus M Epidius Hymenaeus.

Excavated 1916 to 1917. Linked to III.4.2.

 

Part 2                                        Part 3

 

Part 4      Part 5      Part 6      Part 7      Part 8      Part 9      Part 1

 

III.4.2 and III.4.3 Combined Room Plan (Opens in a separate window)

 

III.4.3  Pompeii.  March 2009.  Room 4.  Looking north east.

III.4.3 Pompeii. March 2009. Room 4, looking north-east.

 

III.4.3  Pompeii.  March 2009.  Doorway with step, from Room 4. to Room 3. Triclinium.

III.4.3 Pompeii. March 2009. Doorway with step, from room 4 to room 3, triclinium.

 

III.4.3  Pompeii.  March 2009.   Room 3. Triclinium.  Looking west.

III.4.3 Pompeii. March 2009. Room 3, triclinium. Looking west.

 

III.4.3  Pompeii.  March 2009. .   Room 3. Triclinium.  Looking west.

III.4.3 Pompeii. March 2009. Room 3, triclinium. Looking west.

 

III.4.3 Pompeii. 1957. Room 3, looking west into triclinium. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
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III.4.3 Pompeii. 1957. Room 3, looking west into triclinium. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J57f0252

 

III.4.3  Pompeii.  March 2009.  Room 3.  Triclinium and table.

III.4.3 Pompeii. March 2009. Room 3, triclinium and table.

 

III.4.3  Pompeii.  March 2009.   Room 3.  Triclinium.  South wall.

III.4.3 Pompeii. March 2009. Room 3, triclinium. South wall.

 

III.4.3 Pompeii. 1968. Room 3, triclinium. South wall. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
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III.4.3 Pompeii. 1968. Room 3, triclinium. South wall. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J68f0363

 

III.4.3  Pompeii.  March 2009.  Room 3.  Triclinium.  West wall.

III.4.3 Pompeii. March 2009. Room 3, triclinium. West wall.

 

III.4.3  Pompeii.  March 2009.   Room 3.  Triclinium.  North wall.

III.4.3 Pompeii. March 2009. Room 3, triclinium. North wall.

 

III.4.3  Pompeii.  March 2009.   Room 3.  Triclinium.   North west corner.

III.4.3 Pompeii. March 2009. Room 3, triclinium. North-west corner.

 

III.4.3  Pompeii.  March 2009.  Room 3.  Triclinium.   2nd painted panel on south wall.

III.4.3 Pompeii. March 2009. Room 3, triclinium. Second painted panel on south wall.

 

III.4.3  Pompeii. March 2009. Room 3. Second painted panel on south wall. The remains of one of the Latin moral verses, from which the house is named, is just visible and can be seen above the painted bird.
(Utere blandit)iis, odiosaque iurgia differ
Si potes, aut gressus ad tua tecta refer
See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p.361. CIL IV 7698a-c)

(….) postpone your tiresome quarrels
If you can, or leave and take them home with you.
See Cooley, A. and M.G.L., 2004. Pompeii : A Sourcebook. London : Routledge. (p.73 CIL IV 7698a-c).

III.4.3 Pompeii. March 2009. Room 3. Second painted panel on south wall.

The remains of one of the Latin moral verses, from which the house is named, is just visible and can be seen above the painted bird.

(Utere blandit)iis, odiosaque iurgia differ

Si potes, aut gressus ad tua tecta refer

See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 361. CIL IV 7698a-c)

 

(….) postpone your tiresome quarrels

If you can, or leave and take them home with you.

See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge, (p. 73 CIL IV 7698a-c).

 

III.4.3 Pompeii. 1968. Room 3. Second painted panel on south wall. The remains of one of the Latin moral verses, from which the house is named, is just visible and can be seen above the painted bird.
(Utere blandit)iis, odiosaque iurgia differ
Si potes, aut gressus ad tua tecta refer
See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 361. CIL IV 7698a-c)

(….) postpone your tiresome quarrels
If you can, or leave and take them home with you.
See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge, (p. 73 CIL IV 7698a-c). 
Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J68f0359

III.4.3 Pompeii. 1968. Room 3. Second painted panel on south wall.

The remains of one of the Latin moral verses, from which the house is named, is just visible and can be seen above the painted bird.

(Utere blandit)iis, odiosaque iurgia differ

Si potes, aut gressus ad tua tecta refer

See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 361. CIL IV 7698a-c)

 

(….) postpone your tiresome quarrels

If you can, or leave and take them home with you.

See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge, (p. 73 CIL IV 7698a-c).

Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J68f0359

 

III.4.3  Pompeii. March 2009. Room 3. Triclinium. Third painted panel on south wall.

III.4.3 Pompeii. March 2009. Room 3, triclinium. Third painted panel on south wall.

 

III.4.3  Pompeii. March 2009. Room 3. Triclinium.  Fourth painted panel on south wall.

III.4.3 Pompeii. March 2009. Room 3, triclinium. Fourth painted panel on south wall.

 

III.4.3 Pompeii. 1968. Room 3, triclinium. Fourth painted panel on south wall. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J68f0362

III.4.3 Pompeii. 1968. Room 3, triclinium. Fourth painted panel on south wall.

Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J68f0362

 

III.4.3 Pompeii. 1968. Room 3, triclinium. Fourth painted panel on south wall. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J68f0361

III.4.3 Pompeii. 1968. Room 3, triclinium. Fourth painted panel on south wall. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J68f0361

 

III.4.3 Pompeii. 1957. Room 3, triclinium. Detail of painting of bird from fourth painted panel on south wall. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J57f0251

III.4.3 Pompeii. 1957. Room 3, triclinium. Detail of painting of bird from fourth painted panel on south wall.

Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J57f0251

 

III.4.3  Pompeii. March 2009. Room 3, triclinium. Fifth painted panel on south wall.

III.4.3 Pompeii. March 2009. Room 3, triclinium. Fifth painted panel on south wall.

 

III.4.3  Pompeii.  March 2009. Room 3.  Triclinium.   Remains of painted panel on west wall in south west corner.  The area in the centre was partially demolished by the 1943 bombing and one of the central panels, with the third of the famous sayings, was lost.  
Lascivos voltus et blandos aufer ocellos
Coniuge ab alterius : sit tibi in ore pudor.
See Della Corte, M., 1965.  Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p.361. CIL IV 7698a-c)

III.4.3 Pompeii. March 2009. Room 3, triclinium.

Remains of painted panel on west wall in south-west corner.

The area in the centre was partially demolished by the 1943 bombing and one of the central panels, with the third of the famous sayings, was lost.

Lascivos voltus et blandos aufer ocellos

Coniuge ab alterius : sit tibi in ore pudor.

See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p. 361. CIL IV 7698a-c).

 

Remove lustful expressions and flirtatious tender eyes

From another man’s wife; may there be modesty in your expression.

See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge, (p. 73): CIL IV 7698a-c.

 

III.4.3 Pompeii. 1968. Room 3, triclinium. Remains of painted panel on west wall in south-west corner. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J68f0364

III.4.3 Pompeii. 1968. Room 3, triclinium. Remains of painted panel on west wall in south-west corner.

Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J68f0364

 

III.4.3  Pompeii.  March 2009. Room 3.  Triclinium.   Remains of painted panel on west wall in north west corner.  The  area in the centre was partially demolished by the 1943 bombing and the central panel, with the third of the famous moral sayings, was lost.  
Lascivos voltus et blandos aufer ocellos
Coniuge ab alterius : sit tibi in ore pudor.
See Della Corte, M., 1965.  Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p.361. CIL IV 7698a-c)

III.4.3 Pompeii. March 2009. Room 3, triclinium.  

Remains of painted panel on west wall in north-west corner.

The area in the centre was partially demolished by the 1943 bombing and the central panel, with the third of the famous moral sayings, was lost.

Lascivos voltus et blandos aufer ocellos

Coniuge ab alterius : sit tibi in ore pudor.

See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p.361. CIL IV 7698a-c)

 

Remove lustful expressions and flirtatious tender eyes

From another man’s wife; may there be modesty in your expression.

See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge. (p 73, CIL IV 7698a-c)

 

Part 3

 

Part 4      Part 5      Part 6      Part 7      Part 8      Part 9      Part 1

 

III.4.2 and III.4.3 Combined Room Plan (Opens in a separate window)

 

 

 

 

The low resolution pictures on this site are copyright © of Jackie and Bob Dunn and MAY NOT IN ANY CIRCUMSTANCES BE USED FOR GAIN OR REWARD COMMERCIALLY. On concession of the Ministero dei Beni e delle Attività Culturali e del Turismo - Parco Archeologico di Pompei. It is declared that no reproduction or duplication can be considered legitimate without the written authorization of the Parco Archeologico di Pompei.

Le immagini fotografiche a bassa risoluzione pubblicate su questo web site sono copyright © di Jackie e Bob Dunn E NON POSSONO ESSERE UTILIZZATE, IN ALCUNA CIRCOSTANZA, PER GUADAGNO O RICOMPENSA COMMERCIALMENTE. Su concessione del Ministero dei Beni e delle Attività Culturali e del Turismo - Parco Archeologico di Pompei. Si comunica che nessun riproduzione o duplicazione può considerarsi legittimo senza l'autorizzazione scritta del Parco Archeologico di Pompei.

Ultimo aggiornamento - Last updated: 22-Oct-2018 14:43