PompeiiinPictures

IX.12.6 Pompeii. House of the Chaste Lovers or Casa dei Casti Amanti or Officina of Crescens.

 

Part 1      Part 2      Part 3      Part 4      Plan

 

IX.12 Pompeii, May 2018. Information notice-board, which reads -
“To celebrate the Feast of St. Valentine, the Superintendency of Pompeii is re-opening the doors to the House of the Chaste Lovers, after a long period of closure, before the onset of major works which will allow a total restoration and development, as well as a reconfiguration of the escarpments of the area.
The house forms part of a large insula which also comprises the House of the Painters at Work and several small shops, that covers an area of over 1500 sq.mtrs.
The name originates from the “chaste” kiss exchanged by two lovers in one of the small paintings which decorate the triclinium of the house, which has an adjoining bakery. It was the home of a rich baker, and apart from the splendidly preserved bakery oven with the millstones still attached, two stables with the remains of five animals survives.
Vittorio Spinazzola began the investigations in 1912, attracted by the monumental façade with its columnaded balcony, which was then damaged by the 1943 bombings. Excavation continued in various phases, from 1987 until recently, in a broad plan of restoration and development.
Shortly before the dramatic events of 79AD, maintenance work was underway on the hydraulic network, and, in the House of the Painters at Work, the restructuring of the frescoes in the large hall, the sudden interruption left the small paintings incomplete of which the preparatory drawings had been completed. The presence of numerous cups still full of pigments which the artist was using would seem to prove that the work was abandoned in a hurry.”
Photo courtesy of Buzz Ferebee.

IX.12 Pompeii, May 2018. Information notice-board, which reads -

“To celebrate the Feast of St. Valentine, the Superintendency of Pompeii is re-opening the doors to the House of the Chaste Lovers, after a long period of closure, before the onset of major works which will allow a total restoration and development, as well as a reconfiguration of the escarpments of the area.

The house forms part of a large insula which also comprises the House of the Painters at Work and several small shops, that covers an area of over 1500 sq. metres.

The name originates from the “chaste” kiss exchanged by two lovers in one of the small paintings which decorate the triclinium of the house, which has an adjoining bakery. It was the home of a rich baker, and apart from the splendidly preserved bakery oven with the millstones still attached, two stables with the remains of five animals survives.

Vittorio Spinazzola began the investigations in 1912, attracted by the monumental façade with its colonnaded balcony, which was then damaged by the 1943 bombings. Excavation continued in various phases, from 1987 until recently, in a broad plan of restoration and development.

Shortly before the dramatic events of 79AD, maintenance work was underway on the hydraulic network, and, in the House of the Painters at Work, the restructuring of the frescoes in the large hall, the sudden interruption left the small paintings incomplete of which the preparatory drawings had been completed. The presence of numerous cups still full of pigments which the artist was using would seem to prove that the work was abandoned in a hurry.”

Photo courtesy of Buzz Ferebee.

 

IX.12 Pompeii, 2016/2017. Information card. Photo courtesy of Giuseppe Ciaramella.

IX.12 Pompeii, 2016/2017. Information card. Photo courtesy of Giuseppe Ciaramella.

 

IX.12.6 Pompeii. March 2022. Looking north towards entrance doorway.
Foto Taylor Lauritsen, ERC Grant 681269 DÉCOR.

IX.12.6 Pompeii. March 2022. Looking north towards entrance doorway.

Foto Taylor Lauritsen, ERC Grant 681269 DÉCOR.

 

IX.12.6 Pompeii. December 2005. West (left) side of entrance doorway (behind blue metal).

IX.12.6 Pompeii. December 2005. West (left) side of entrance doorway (behind blue metal).

 

IX.12.6 Pompeii. March 2022. East (right) side of entrance doorway.
Foto Taylor Lauritsen, ERC Grant 681269 DÉCOR.

IX.12.6 Pompeii. March 2022. East (right) side of entrance doorway.

Foto Taylor Lauritsen, ERC Grant 681269 DÉCOR.

 

IX.12.6 Pompeii. Shop sign from right side of front façade. 
Painting of crowned and bearded ithyphallic Mercury with caduceus and purse. 
Now in Naples Archaeological Museum. Inventory number s. n.
See Fröhlich, T., 1991. Lararien und Fassadenbilder in den Vesuvstädten. Mainz: von Zabern, F70, p. 338, tav. 16,2.
Secondo Della Corte in NdS 1912, (29 luglio). Reg. IX, ins. XII. Lo scavo sulla fronte di quest'isola………
…A giustificare ciascun segmento di tettoia, che vedesi chiaramente confermato dai fori dei travicelli scoperti nella muratura, dobbiamo pensare ad altrettanti affreschi che dovettero abbellire la facciata di quest'edificio: uno solo ne abbiamo oggi, all'angolo fra lo stipite destro e l'altezza dell'architrave del vano n. 6; ma, molto probabilmente, due altri ve ne furono nell'antichità, l'uno sullo stipite opposto del vano e l'altro all'estremità occidentale della facciata: però nulla ne avanza oggi, in seguito alla totale caduta degli intonachi. 
Su letto di stucco bianco di m. 0,78 di altezza e m. 0,66 di larghezza, circondato da una fascia rossa dove più dove meno larga, è steso il dipinto superstite, per tre lati (al disopra ed ai fianchi) abbellito da un ampio festone di foglie verdi:
Mercurio barbato, adulto, smisuratamente itifallico, il capo coronato di foglie verdi, i fianchi cinti di una breve fascia verde, tutto nudo nel resto, vedesi accorrere verso sinistra, cioè verso il vano n. 6, le ali ai piedi, il caduceo nella sinistra accostata al petto, il marsupium nella destra protesa; stato di conservazione perfetto; esecuzione non priva di energia espressiva.
Ved. Notizie degli Scavi di Antichità, 1912, pp. 258-9.

[According to Della Corte in NdS 1912, (29 luglio). Reg. IX, ins. XII. The excavation on the front of this insula……..
…To justify each segment of roofing, which is seen clearly confirmed by the rafter holes discovered in the wall, we have to think many frescoes adorned the facade of this building: only one we have today, on the corner between the right jamb and at the lintel height of entrance n. 6; but, most likely, there were two others in antiquity, the one on the door frame opposite compartment and the other at the western end of the facade: though nothing remains today, following the total fall of plaster. 
On a bed of white stucco m. 0.78 m in height and. 0.66 wide, surrounded by a red band where more where less wide, the painting is stretched survivor, three sides (above and to the sides) embellished by a large festoon of green leaves:
Mercury bearded, adult, hugely ithyphallic, the head crowned with green leaves, the loins of a short green band, naked in the rest, is seen rushing to the left, toward the entrance no. 6, the wings on his feet, the caduceus in his left hand against his chest, right in the marsupium outstretched; perfect state of preservation; execution is not without expressive energy.
See Notizie degli Scavi di Antichità, 1912, pp. 258-9.]

IX.12.6 Pompeii. Shop sign from right side of front façade.

Painting of crowned and bearded ithyphallic Mercury with caduceus and purse.

Now in Naples Archaeological Museum. Inventory number s. n.

See Fröhlich, T., 1991. Lararien und Fassadenbilder in den Vesuvstädten. Mainz: von Zabern, F70, p. 338, tav. 16,2.

Secondo Della Corte in NdS 1912, (29 luglio). Reg. IX, ins. XII. Lo scavo sulla fronte di quest'isola………

…A giustificare ciascun segmento di tettoia, che vedesi chiaramente confermato dai fori dei travicelli scoperti nella muratura, dobbiamo pensare ad altrettanti affreschi che dovettero abbellire la facciata di quest'edificio: uno solo ne abbiamo oggi, all'angolo fra lo stipite destro e l'altezza dell'architrave del vano n. 6; ma, molto probabilmente, due altri ve ne furono nell'antichità, l'uno sullo stipite opposto del vano e l'altro all'estremità occidentale della facciata: però nulla ne avanza oggi, in seguito alla totale caduta degli intonachi.

Su letto di stucco bianco di m. 0,78 di altezza e m. 0,66 di larghezza, circondato da una fascia rossa dove più dove meno larga, è steso il dipinto superstite, per tre lati (al disopra ed ai fianchi) abbellito da un ampio festone di foglie verdi:

Mercurio barbato, adulto, smisuratamente itifallico, il capo coronato di foglie verdi, i fianchi cinti di una breve fascia verde, tutto nudo nel resto, vedesi accorrere verso sinistra, cioè verso il vano n. 6, le ali ai piedi, il caduceo nella sinistra accostata al petto, il marsupium nella destra protesa; stato di conservazione perfetto; esecuzione non priva di energia espressiva.

Vedi Notizie degli Scavi di Antichità, 1912, pp. 258-9.

 

[According to Della Corte in NdS 1912, (29 July). Reg. IX, ins. XII. The excavation on the front of this insula……..

…To justify each segment of roofing, which is seen clearly confirmed by the rafter holes discovered in the wall, we must think that many frescoes adorned the facade of this building: only one of which we have today, on the corner between the right jamb and at the lintel height of entrance no. 6; but, very probably, there were two others in antiquity, the one on the door frame opposite and the other at the western end of the facade: although nothing remains today, following the total fall of the plaster.

On a bed of white stucco m. 0.78 m in height and. 0.66 wide, the painting was surrounded by a red band, on three sides (above and to the sides) embellished by a large festoon of green leaves:
Mercury bearded, adult, hugely ithyphallic, his head crowned with green leaves, the hips girded by a short green band, the rest all naked , is seen rushing to the left, that is towards the entrance no. 6, the wings on his feet, the caduceus in his left hand against his chest, his purse in his right outstretched hand; in a perfect state of preservation; the execution is not without expressive energy.

See Notizie degli Scavi di Antichità, 1912, pp. 258-9.]

 

IX.12.6 Pompeii. 1963.  Shop sign in situ on right side of front façade.
Photo © Bildarchiv Foto Marburg / Foto: unbekannt; Aufn.-Datum: 1963 - Bilddatei-Nr. fmc418401.
Photo flipped horizontally.

IX.12.6 Pompeii. 1963. Shop sign in situ on right side of front façade.

Photo © Bildarchiv Foto Marburg / Foto: unbekannt; Aufn.-Datum: 1963 - Bilddatei-Nr. fmc418401.

Photo flipped horizontally.

 

IX.12.6 Pompeii. December 2005. Graffiti beside door, between IX.12.6 and IX.12.7.

IX.12.6 Pompeii. December 2005. Graffiti beside door, between IX.12.6 and IX.12.7.

 

IX.12.06, Pompeii, on right. 
Looking west across southern facade of the insula on Via dell’Abbondanza. Photo courtesy of Klaus Heese.

IX.12.06 Pompeii, on right. September 2019.

Looking west across southern facade of the insula on Via dell’Abbondanza. Photo courtesy of Klaus Heese.

 

IX.12.06 Pompeii, on right. 2016/2017.
Looking west across southern facade of the insula on Via dell’Abbondanza. Photo courtesy of Giuseppe Ciaramella.

IX.12.06 Pompeii, on right. 2016/2017.

Looking west across southern facade of the insula on Via dell’Abbondanza. Photo courtesy of Giuseppe Ciaramella.

 

IX.12.6 Pompeii.  December 2005.  Façade.

IX.12.6 Pompeii. December 2005. Façade.

 

IX.12.6 Pompeii. March 2009. Room 10.  West wall, with door into room 11, probably used for grinding the corn and making bread.

IX.12.6 Pompeii. March 2009. Room 10, west wall, with door into room 11, probably used for grinding the corn and making the bread.

 

IX.12.6 Pompeii. May 2010.  Looking south to room 10 with street entrance at IX.12.6, and room 11 with window, on the right.

IX.12.6 Pompeii. May 2010. Looking south to room 10 with street entrance at IX.12.6, and room 11 with window, on the right.

 

IX.12.6 Pompeii. May 2010. Room 11 from above, looking south.

IX.12.6 Pompeii. May 2010. Room 11 from above, looking south.

 

IX.12.6 Pompeii. March 2009. Room 11, north wall, and side of oven. 
The bread would have been put into the oven through the square opening.

IX.12.6 Pompeii. March 2009.

Room 11, north wall, and side of oven. The bread would have been put into the oven through the square opening.

 

IX.12.6 Pompeii. March 2009. Room 10, looking north to bakery, room 5.

IX.12.6 Pompeii. March 2009. Room 10, looking north to bakery, room 5.

 

IX.12.7 Pompeii, May 2018. Room 10, looking north from entrance doorway towards oven in room 5.
Photo courtesy of Buzz Ferebee.

IX.12.7 Pompeii, May 2018.

Room 10, looking north from entrance doorway towards oven in room 5. Photo courtesy of Buzz Ferebee.

 

IX.12.6 Pompeii, May 2018. Room 5, bakery, looking north from entrance doorway. Photo courtesy of Buzz Ferebee.

IX.12.6 Pompeii, May 2018. Room 5, bakery, looking north from entrance doorway. Photo courtesy of Buzz Ferebee.

 

IX.12.6 Pompeii. February 2017. Room 5, looking south-west towards oven in bakery. Photo courtesy of Johannes Eber.

IX.12.6 Pompeii. February 2017. Room 5, looking south-west towards oven in bakery. Photo courtesy of Johannes Eber.

 

IX.12.6 Pompeii. 2016/2017. 
Room 5, looking south towards oven in bakery. Photo courtesy of Giuseppe Ciaramella.

IX.12.6 Pompeii. 2016/2017.

Room 5, looking south towards oven in bakery. Photo courtesy of Giuseppe Ciaramella.

 

IX.12.6 Pompeii.  March 2009.  Room 5, oven in bakery.

IX.12.6 Pompeii. March 2009. Room 5, oven in bakery.

 

IX.12.6 Pompeii. February 2017. 
Room 5, looking west towards oven. Photo courtesy of Johannes Eber.

IX.12.6 Pompeii. February 2017.

Room 5, looking west towards oven. Photo courtesy of Johannes Eber.

 

IX.12.6 Pompeii. February 2017. Room 5, detail of oven I  bakery. Photo courtesy of Johannes Eber.

IX.12.6 Pompeii. February 2017. Room 5, detail of oven in bakery. Photo courtesy of Johannes Eber.

 

IX.12.6 Pompeii. March 2009. Room 10, stairs in north east corner.

IX.12.6 Pompeii. March 2009. Room 10, stairs in north east corner.

 

IX.12.6 Pompeii. March 2009. Room 10, east wall, with site of staircase.

IX.12.6 Pompeii. March 2009. Room 10, east wall, with site of staircase.

 

IX.12.6 Pompeii. March 2009. Room 10, doorway in east wall leading to room 9.

IX.12.6 Pompeii. March 2009. Room 10, doorway in east wall leading to room 9.

 

IX.12.6 Pompeii. March 2009. Room 9, south-east corner.

IX.12.6 Pompeii. March 2009. Room 9, south-east corner.

 

IX.12.6  Pompeii. March 2009. Room 9, west wall with doorway to room 10.

IX.12.6 Pompeii. March 2009. Room 9, west wall with doorway to room 10.

 

IX.12.6 Pompeii. March 2009. Room 9, south wall.

IX.12.6 Pompeii. March 2009. Room 9, south wall.

 

IX.12.6 Pompeii. May 2010. Looking south to room 9 in centre, from above room 8.   On the left hand side is the street entrance to IX.12.7

IX.12.6 Pompeii. May 2010.

Looking south to room 9 in centre, from above room 8. On the left-hand side is the street entrance to IX.12.7

 

IX.12.6 Pompeii.  March 2009.  Room 8, north wall.

IX.12.6 Pompeii. March 2009. Room 8, north wall.

 

 

Part 2      Part 3      Part 4      Plan

 

 

 

 

The low resolution pictures on this site are copyright © of Jackie and Bob Dunn and MAY NOT IN ANY CIRCUMSTANCES BE USED FOR GAIN OR REWARD COMMERCIALLY. On concession of the Ministero della Cultura - Parco Archeologico di Pompei. It is declared that no reproduction or duplication can be considered legitimate without the written authorization of the Parco Archeologico di Pompei.

Le immagini fotografiche a bassa risoluzione pubblicate su questo web site sono copyright © di Jackie e Bob Dunn E NON POSSONO ESSERE UTILIZZATE, IN ALCUNA CIRCOSTANZA, PER GUADAGNO O RICOMPENSA COMMERCIALMENTE. Su concessione del Ministero della Cultura - Parco Archeologico di Pompei. Si comunica che nessun riproduzione o duplicazione può considerarsi legittimo senza l'autorizzazione scritta del Parco Archeologico di Pompei.

Ultimo aggiornamento - Last updated: 10-Sep-2023 15:31