VII .9.7 Pompeii. Linked entrance to Macellum.
Linked to VII .9.8. Excavated
1818, 1821, 1888.
Part 1 Part 2 Part 3 Part 4 Part 5
VII.9.7/8 Pompeii. March 2012. Entrances (on right) in north-east corner of Forum. Photo courtesy of Marina Fuxa.
VII.9.7/8 Pompeii. W.1595. Portico of Macellum, before restoration.
Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.
VII.9.7/8 Pompeii. 1964. Outside entrance to Macellum. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.
J64f1323
VII.9.7/8 Pompeii. Drawing by Pasquale Maria Veneri, of beautiful capital showing eagle with spread wings.
Now in Naples Archaeological Museum. Inventory number ADS 736.
Photo © ICCD. https://www.catalogo.beniculturali.it/
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VII.9.7/8 Pompeii. Drawing by Antonio Bonucci, c.1822, of “plan of an ancient building recently excavated on east side of Forum thought to be a Temple”.
The shops and houses of VII.4.15/16 through to VII.4.25 can be seen, on the left.
These are closed at the rear with a continuous straight line, showing perhaps the limit of excavation at the time of this plan.
Now in Naples Archaeological Museum. Inventory number ADS 726.
Photo © ICCD. https://www.catalogo.beniculturali.it/
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VII.9.7/8 Pompeii. Plan of Macellum with indications of the excavation reports.
See Notizie degli Scavi di Antichità, 1942, (253- 266, & Fig.1 (above) on
p.254)
VII.9.7/8 Pompeii. From
an album dated c.1875-1885. Looking towards west wall in north-west corner. Photo
courtesy of Rick Bauer.
VII.9.7/8 Pompeii. Walls of the Temple of Augusta called the Pantheon.
Old undated photograph courtesy of Society of Antiquaries. Fox Collection.
Use is subject to Creative
Commons Attribution-NonCommercial License v.4 International.
Photo courtesy of
Rick Bauer.
VII.9.7/8 Pompeii. Detail of Walls of the Temple of Augusta called the Pantheon.
Old undated photograph courtesy of Society of Antiquaries. Fox Collection.
VII.9.7/8 Pompeii. Painting signed Le Sueur (unclear) Pompeia 1822, "Peinture des Portiques du Panthéon a Pompeia". Looking towards west wall.
See
Lesueur, Jean-Baptiste Ciceron. Voyage en Italie de Jean-Baptiste Ciceron
Lesueur (1794-1883), pl. 77.
See Book on INHA reference INHA NUM PC 15469 (04) « Licence Ouverte / Open Licence » Etalab
VII.9.7 and VII.9.8 Pompeii. September 2005. North-west corner of Macellum.
VII.9.7 and VII.9.8 Pompeii. Macellum. March 2009.
North-west corner, west wall, north side of doorway. Wall painting of Victory crowning a warrior?
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005. North-west corner. West wall painting of Victory crowning a warrior?
VII.9.7 and VII.9.8 Pompeii. Macellum. March 2009. West wall in north-west corner, detail of Victory crowning a warrior?
VII.9.7 and VII.9.8 Pompeii. Macellum. May 2015. West wall in north-west corner, detail of Victory crowning a warrior?
Photo courtesy of Buzz Ferebee.
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005.
North-west corner. Architectural painting with female figure, from west wall.
VII.9.7 and VII.9.8 Pompeii. Macellum. April 2013.
North-west corner. Detail
of architectural painting with female figure, from west wall. Photo courtesy of
Klaus Heese.
VII.9.7 and VII.9.8 Pompeii. Macellum. April 2013.
North-west corner. Detail of female flying figures, one with wings, from west wall. Photo courtesy of Klaus Heese.
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005. North-west corner. Painting of two figures one with wings.
VII.9.7 and VII.9.8 Pompeii. 1829 painting of part of Macellum west wall.
See Mazois, F.,
1829. Les Ruines de Pompei: Troisième
Partie. Paris : Didot Frères, pl. XLVI.
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005. North-west corner, west wall. Painting of Io listening to Argo or Argus.
VII.9.7 and VII.9.8 Pompeii. April
2011. North-west corner, west wall. Painting of Io listening to Argo or Argus. Photo
courtesy of Klaus Heese.
VII.9.7 and VII.9.8 Pompeii. Macellum. December 2007. West wall in north-west corner. Painting of Io listening to Argo or Argus.
VII.9.7 and VII.9.8 Pompeii. Macellum. May 2015.
West wall in north-west corner. Detail from painting of Io listening to Argo or Argus. Photo courtesy of Buzz Ferebee.
VII.9.7 and VII.9.8 Pompeii. Macellum. May 2015.
West wall in north-west corner. Detail of Io, from painting of Io listening to Argo or Argus. Photo courtesy of Buzz Ferebee.
VII.9.7 and VII.9.8 Pompeii. Macellum. May 2015.
West wall in north-west corner. Detail of Argo, from painting of Io listening to Argo or Argus. Photo courtesy of Buzz Ferebee.
VII.9.7 and VII.9.8 Pompeii. Copy painting by Giuseppe Marsigli, 1824, of central painting of west wall showing Io listening to Argo.
Now in Naples Archaeological Museum. Inventory number ADS 728.
Photo © ICCD. http://www.catalogo.beniculturali.it
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VII.9.7 and VII.9.8 Pompeii. October 2001.
Painted west wall decoration from the north-west corner of Macellum.
Photo courtesy of Peter Woods.
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005. West wall in north-west corner, detail of architectural painting.
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005. Detail from west wall in north-west corner. Painting of winged figure (Victory?) in chariot.
Photo courtesy of Klaus Heese.
Photo courtesy of Klaus Heese.
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005.
West wall in north-west corner, detail of painting of figure in toga.
VII.9.7 and VII.9.8 Pompeii. Macellum. May 2015.
West wall in north-west corner, detail of painting of figure in toga. Photo courtesy of Buzz Ferebee.
VII.9.7 and VII.9.8 Pompeii. 1832 painting of part of Macellum wall.
According to Gell, along the whole runs a sort of podium or base, generally of a yellow colour and highly ornamented, in which are compartments with figures, one of which, a female, has been selected for the base in Plate XIV., with a lyre, as more elegant than that which happens to be placed there in the original, which is also much defaced. The drawing from which this figure was reduced for the work was made by M. Zahn, Architectural Painter to the Elector of Hesse Cassel, an indefatigable and exact artist, who will contribute much to the embellishment of his native country on his return, and who kindly permitted the Author to copy and publish his picture.
See Gell W., 1832. Pompeiana: Vol. 1. London: Jennings and Chaplin, p. 54-5, Pl. XIV.
VII.9.7 and VII.9.8 Pompeii. Macellum. September 2005. North wall in north-west corner. Wall painting of Ulysses relating his adventures to Penelope.
Photo courtesy of Klaus Heese.
VII.9.7 and VII.9.8 Pompeii. Macellum. December 2007. North wall in north-west corner. Wall painting of Ulysses relating his adventures to Penelope.
VII.9.7 and VII.9.8 Pompeii. Macellum. Preparatory painting by Pasquale Maria Veneri, 1843, of north wall in north-west corner.
Now in Naples Archaeological Museum. Inventory number ADS 729.
Photo © ICCD. https://www.catalogo.beniculturali.it/
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VII.9.7/8 Pompeii. Drawing by Francesco Morelli, c.1823, of lower zoccolo of north wall with predella of which, today, nothing seems to be still visible.
Now in Naples Archaeological Museum. Inventory number ADS 731.
Photo © ICCD. https://www.catalogo.beniculturali.it/
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