PompeiiinPictures

VII.4.25 Pompeii. Workshop and dwelling.

Linked to VII.4.24. Excavated 1822, 1833 and 1868.

 

VII.4.25 Pompeii. March 2009. Entrance.

VII.4.25 Pompeii. March 2009. Entrance.

 

VII.4.25 Pompeii. March 2009. Entrance.
Found in May 1822, painted in red on the pilaster between VII.4.25 and 26, (on the right) were –

A(ulum) Vettium Firmum
Numisius Iucundus cum Secundo
Et Victore rog(at)    [CIL IV 558]

C(aium) Cuspium Pansam aed(ilem)    [CIL IV 559]

See Pagano, M. and Prisciandaro, R., 2006. Studio sulle provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli. Naples: Nicola Longobardi.  (p. 124)

VII.4.25 Pompeii. March 2009. Entrance.

Found in May 1822, painted in red on the pilaster between VII.4.25 and 26, (on the right) were –

 

A(ulum) Vettium Firmum

Numisius Iucundus cum Secundo

Et Victore rog(at)    [CIL IV 558]

 

C(aium) Cuspium Pansam aed(ilem)    [CIL IV 559]

 

See Pagano, M. and Prisciandaro, R., 2006. Studio sulle provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli. Naples: Nicola Longobardi.  (p. 124)

 

VII.4.25 Pompeii. Pre-1937-39. 
Looking north from Via degli Augustali, across workshop room towards atrium and tablinum.
Photo courtesy of American Academy in Rome, Photographic Archive. Warsher collection no. 976.

VII.4.25 Pompeii. Pre-1937-39.

Looking north from Via degli Augustali, across workshop room towards atrium and tablinum.

Photo courtesy of American Academy in Rome, Photographic Archive. Warsher collection no. 976.

 

VII.4.25 Pompeii. September 2005. Entrance.

VII.4.25 Pompeii. September 2005. Entrance.

 

VII.4.25 Pompeii. March 2009. Upper east side of entrance.

VII.4.25 Pompeii. March 2009. Upper east side of entrance.

 

VII.4.25 Pompeii. December 2018. Looking north across shop room towards atrium and tablinum. Photo courtesy of Aude Durand.

VII.4.25 Pompeii. December 2018.

Looking north across workshop room towards atrium and tablinum. Photo courtesy of Aude Durand.

 

VII.4.25 Pompeii. March 2009. Looking north across atrium to tablinum.

VII.4.25 Pompeii. March 2009. Looking north across atrium to tablinum.

 

VII.4.25 Pompeii. March 2009. Looking north to rear rooms.

VII.4.25 Pompeii. March 2009. Looking north to rear rooms.

 

VII.4.25 Pompeii. March 2009. Looking north-west across atrium towards cubiculum.

VII.4.25 Pompeii. March 2009. Looking north-west across atrium towards cubiculum.

 

VII.4.25 Pompeii. March 2009. Cubiculum on north-west side of atrium.

VII.4.25 Pompeii. March 2009. Cubiculum on north-west side of atrium.

 

VII.4.25 Pompeii. March 2009. North wall of cubiculum.

VII.4.25 Pompeii. March 2009. North wall of cubiculum.

 

VII.4.25 Pompeii. March 2009. Atrium, east side with oil press.

VII.4.25 Pompeii. March 2009. Atrium, east side with oil press.

 

VII.4.25 Pompeii. Atrium, east side. 1868 painting by A. Aurelj with lithograph by V. Steeger, published in NdS. 
The painting shows a young Dionysus and an ancient Silenus with a club on his shoulder and being supported by a young faun. The two figures on the right may be a drunken Hercules violently carrying away Auge.
See Giornale degli Scavi N.S.1, no. 2, Settembre 1868, Tav III.
According to Kuivalainen this painting was partially preserved when discovered, now destroyed.
He comments –
“A young Bacchus is presented in the company of a drunken Hercules in the process of falling down; the thiasus is also slightly tipsy, with Silenus carrying the club of Hercules. Bacchus holding the cantharus from the bottom is a rare detail; his larger size and position above the other figures affirm his identity as Bacchus, supervising the scene.”
See Kuivalainen, I., 2021. The Portrayal of Pompeian Bacchus. Commentationes Humanarum Litterarum 140. Helsinki: Finnish Society of Sciences and Letters, (p.180-181, F27).

VII.4.25 Pompeii. Atrium, east side. 1868 painting by A. Aurelj with lithograph by V. Steeger, published in NdS.

The painting shows a young Dionysus and an ancient Silenus with a club on his shoulder and being supported by a young faun. The two figures on the right may be a drunken Hercules violently carrying away Auge.

See Giornale degli Scavi N.S.1, no. 2, Settembre 1868, Tav III.

According to Kuivalainen this painting was partially preserved when discovered, now destroyed.

He comments –

“A young Bacchus is presented in the company of a drunken Hercules in the process of falling down; the thiasus is also slightly tipsy, with Silenus carrying the club of Hercules. Bacchus holding the cantharus from the bottom is a rare detail; his larger size and position above the other figures affirm his identity as Bacchus, supervising the scene.”

See Kuivalainen, I., 2021. The Portrayal of Pompeian Bacchus. Commentationes Humanarum Litterarum 140. Helsinki: Finnish Society of Sciences and Letters, (p.180-181, F27).

 

VII.4.25 Pompeii. September 2005. Doorways from VII.4.24 and VII.4.25 to rear rooms.
According to Boyce, on the west wall of the kitchen above the hearth, was a Lararium painting in two zones on a white background.
It showed the Genius pouring a libation upon an altar. On each side of him was a Lar in a blue tunic and red pallium.
Instead of the customary serpents, the lower zone was filled with a second sacrificial scene, but only the popa remains.
He held a knife in his right hand and held a hog with his left.
The hog was adorned with a red band around its belly and a garland.
See Boyce G. K., 1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14.(p.65, no.272)
According to Garcia y Garcia, all the rear parts of this dwelling were damaged by the bombing in September 1943.
Demolition of the atrium, fauces and two other rooms in this area occurred, including the falling of the painted fourth style plaster.
See Garcia y Garcia, L., 2006. Danni di guerra a Pompei. Rome: L’Erma di Bretschneider. (p. 97)
According to Fröhlich, only slight faded traces of the lararium painting remain.
See Fröhlich, T., 1991. Lararien und Fassadenbilder in den Vesuvstädten. Mainz: von Zabern. (p.286, L84)

VII.4.25 Pompeii. September 2005. Doorways from VII.4.24 and VII.4.25 to rear rooms.

According to Boyce, on the west wall of the kitchen above the hearth, was a Lararium painting in two zones on a white background.

It showed the Genius pouring a libation upon an altar. On each side of him was a Lar in a blue tunic and red pallium.

Instead of the customary serpents, the lower zone was filled with a second sacrificial scene, but only the popa remains.

He held a knife in his right hand and held a hog with his left.

The hog was adorned with a red band around its belly and a garland.

See Boyce G. K., 1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14.(p.65, no.272)

According to Garcia y Garcia, all the rear parts of this dwelling were damaged by the bombing in September 1943.

Demolition of the atrium, fauces and two other rooms in this area occurred, including the falling of the painted fourth style plaster.

See Garcia y Garcia, L., 2006. Danni di guerra a Pompei. Rome: L’Erma di Bretschneider. (p. 97)

According to Fröhlich, only slight faded traces of the lararium painting remain.

See Fröhlich, T., 1991. Lararien und Fassadenbilder in den Vesuvstädten. Mainz: von Zabern. (p.286, L84)

 

VII.4.25 Pompeii. September 2005. East wall of shop, remains of painting.

VII.4.25 Pompeii. September 2005. East wall of shop, remains of painting.

 

VII.4.25 Pompeii. December 2005. Shop, in the background is the oil press found in VII.14.14.
See Eschebach, L., 1993. Gebäudeverzeichnis und Stadtplan der antiken Stadt Pompeji. Köln: Böhlau. (p.277)

VII.4.25 Pompeii. December 2005. Shop, in the background is the oil press found in VII.14.14.

See Eschebach, L., 1993. Gebäudeverzeichnis und Stadtplan der antiken Stadt Pompeji. Köln: Böhlau. (p.277)

 

VII.4.25 Pompeii. September 2005. Floor of shop.

VII.4.25 Pompeii. September 2005. Floor of shop.

 

VII.4.25 Pompeii. September 2005. Excavation in floor of shop.

VII.4.25 Pompeii. September 2005. Excavation in floor of shop.

 

VII.4.25 Pompeii. December 2005. Atrium, oil press found in VII.14.14.

VII.4.25 Pompeii. December 2005. Atrium, oil press found in VII.14.14.

 

VII.4.25 Pompeii. 1959. Oil press. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J59f0518

VII.4.25 Pompeii. 1959. Oil press. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J59f0518

 

 

 

 

 

The low resolution pictures on this site are copyright © of Jackie and Bob Dunn and MAY NOT IN ANY CIRCUMSTANCES BE USED FOR GAIN OR REWARD COMMERCIALLY. On concession of the Ministero della Cultura - Parco Archeologico di Pompei. It is declared that no reproduction or duplication can be considered legitimate without the written authorization of the Parco Archeologico di Pompei.

Le immagini fotografiche a bassa risoluzione pubblicate su questo web site sono copyright © di Jackie e Bob Dunn E NON POSSONO ESSERE UTILIZZATE, IN ALCUNA CIRCOSTANZA, PER GUADAGNO O RICOMPENSA COMMERCIALMENTE. Su concessione del Ministero della Cultura - Parco Archeologico di Pompei. Si comunica che nessun riproduzione o duplicazione può considerarsi legittimo senza l'autorizzazione scritta del Parco Archeologico di Pompei.

Ultimo aggiornamento - Last updated: 27-Jul-2023 19:21